Michael McDonald Was Stoned the First Time He Saw Rick Moranis’ Spoof of Him on SCTV: ‘Thought I Was Hallucinating’

The Legendary Michael McDonald

A true Hall of Fame of singers with unrepeatable yet often copied vocal styles would have Michael McDonald easily at the top of its list. The vocal genius of the Doobie Brothers has made his music immortal through his evergreen classics like What a Fool Believes and Minute by Minute. His rich, soul-infused voice and his unique concoction of soft rock, jazz, and R&B have relegated him to an exceptional position in the music arena—he cannot be mimicked, but enjoying to reinforce his moods is a breeze.

Michael McDonald’s impersonation, parodies, and style are among the most imitated in the entertainment world. From stand-up comedians to all sorts of entertainers, many have attempted to impersonate his voice which is one of his trademark aspects of his persona. Among them, some of the more famous ones include Jimmy Fallon and Justin Timberlake who have tried to make a few jokes in relation to McDonald’s once-in-a-lifetime voice. Even Family Guy has also not held back and through the show managed to take jabs at the man himself. But when it comes to who has impersonated McDonald the best, Rick Moranis seems to be the most popular answer.

Michael McDonald Was Stoned the First Time He Saw Rick Moranis' Spoof of  Him on SCTV: 'Thought I Was Hallucinating'

In the early 1980s, Rick Moranis, the actor who is still famous for his role in Honey, I Shrunk the Kids, attempted to parody Michael McDonald in a SCTV sketch. Rick Moranis does justice to the joke, manages to imitate Michael McDonald’s voice along with his mannerisms and general attitude, creating an overly ridiculous tribute that his fans enjoyed too. As the synopsis of the show proceeds, this skit is regarded as a golden classic and a classic in itself because even back then, there was enough evidence to prove that McDonald’s influence was deep rooted in the pop culture even during those times.

Parody Parody in Yacht Rock: A Dokumentary

McDonald himself refers to this resonating appeal of that SCTV spoof in the new HBO documentary focusing on Yacht Rock, simply subtitled as A Dokumentary. Set to be released on November 29 and available on Max owned streaming services, the dockumentary is a tribute to the genre, which gained custom popularity during the late 70s and 80s – ‘Yacht Rock’ which was a smooth fusion of soft rock, jazz, and R&B.

There is one moment in the film that is remembered as the most heartwarming of all the scenes, where McDonald is sitting next to his friend yacht rock royalty Christopher Cross, as he talks about the first time he ever met the Rick Moranis imitation. These thoughts of his not only show his humor as he recalls meeting the man for the first time, but also the artistic side of his witnessing the profound impact that some of his work has made on pop culture. This helps to reinforce the idea of McDonald’s presence as even years after the release of his works, there still are people who draw inspiration from them and who do not to hesitate to spoof them in an amicable manner.

One of the most probable and least problematic in the case of music is Michael McDonald’s legendary status. The brilliant voice and unique style that propelled a plethora of hits not only influenced the development of the yacht rock genre but also became a part of the comedic performance, homage performances, and parodic mockery. Yacht Rock: A Dockumentary not only embraces this beautiful period of music history, but it also is a reminder of one of the most time effective changes brought about by McDonald not only as a musician and a singer but a cultural legend who remains relevant even to this day.

A Surreal Moment Caught on Screen

Michael McDonald remembers a night from Yacht Rock: A Dockumentary that was weird yet accompanied by a lot of laughter, the night when he saw humor and reality in one place. We were sitting in a hotel smoking a joint McDonald recalls, during the dockumentary. In the middle of it, I just said, I think I’ve got to go. I’m a little too high, and I said, I’m gonna go lay down. Sticking to his words, McDonald came back to his hotel room and as he hoped to go to sleep, he ended up putting on the television. This unnerving setup ultimately resulted in him experiencing a very bizarre situation. He came back to the room only to find SCTV and Rick Moranis dressed as him. “As I walked in, SCTV was on, and I thought maybe I was hallucinating,” says McDonald chuckling.

McDonald characterizes his first impression of the sketch as an overwhelming mix of surprise and laughter.
“I was just there and I was just thinking, ‘Is this happening for real or am I going crazy’?” Years after, McDonald was however able to receive an apology from Rick Moranis, who was cast in the sketch with the job to make fun of McDonald. He was worried that McDonald was angry with the way he had been represented. But, as it turned out, Mr. McDonald reassured him in such a warm manner that it was truly “Quite the opposite. I got a lot of mileage out of that.” Rather than getting angry, McDonald was able to see the humor and tribute in a positive light, making the parody a nice touch in his otherwise expanding career. His kind and witty reply of ‘yes’ brought to attention not just his character but ability to take humor in his own self.

The Birth of Yacht Rock as a Genre

Interestingly, the phrase ‘yacht rock’ would not be used until about twenty years after McDonald’s chance meeting with the satirical program SCTV. The name of the genres arose from the web series ‘Yacht Rock’ that was released in the summer of 2005. It was a mockumentary series hosted for 12 episodes over a five-year span that light heartedly documented the lives of soft rock stars. Through narrative and a dramatized presentation, actors impersonated the yacht rock legends such as Kenny Loggins, Christopher Cross and Michael McDonald himself.

What is more important is that the series The Yacht Rock made its contribution in New Zealand that the perception of the genre has now successfully combining comedy and nostalgia for the smooth soulful sound of the late 70s and early 80s. By parodying the icons of the genre, the series not only amused but also rekindled the love for the characteristic sound of soft rock, jazz and R’n’B that yacht rock is known for. For artists such as Michael McDonald, this was a boom. Their work became relevant again and fortunately able to establish the dominance of a one of a kind era.

Michael McDonald Was Stoned the First Time He Saw Rick Moranis' Spoof of Him  on SCTV: 'Thought I Was Hallucinating'

What began as a funny and situationally awkward moment in a hotel room has now become a moment Michael McDonald cherishes. He wasn’t offended by the SCTV parody because he found it humorous, something rather appropriate given his stature in the music industry. In the dockumentary Yacht Rock: A Dockumentary and the Cultural Resurgence of Yacht Rock Timothy Leary’s words about the realities of McDonald’s life still hold true: “his life is a work of art.” It’s impressive how he manages to laugh off all the jokes thrown around his work.

Hilarious Discovery Shared by Family

Michael McDonald fondly recalls a moment when his son eagerly showed him something he had discovered online. “My son couldn’t wait to show me this thing he found on the Internet, and it was hysterical,” McDonald shares. The “thing” in question was the web series Yacht Rock, which humorously reimagines the lives of soft rock legends, including McDonald himself. Far from being offended, McDonald found the parody clever and amusing. “I couldn’t deny that it was funny. I thought it was kind of uncanny at the time how they made up these personalities that more or less had some basis of truth, whether they knew it or not,” he said, marveling at the subtle truths woven into the exaggerated portrayals.

Thinking backward, McDonald was of the opinion that he made it onto a US television show which was ironic in style and this was a good thing. “I always thought it was kind of flattering to be made fun of because obviously it made an impression on somebody,” he said.

Kenny Loggins, the soft rock star also included in the Yacht Rock series, on the other hand, was not amused with the series for the first time. Unlike McDonald, who began laughing when he saw the series, Loggins said that he felt a little offended at first. “At first, I felt a little insulted, like we were being made fun of,” he said. This, however, did not take long, as embers who made the material out of the series began to change his opinion. Loggins gradually understood that the parody was an inviting way to appreciate them and not a form of mockery. “I began to see it was kind of an ass-backwards way to honor us,” he remarked while complimenting the series.

An Alternate-Reality Genre

What captured Loggins’ attention even further grace detail was the novel approach the web series took in re-appropriating seaside rock music to become a genre. “It was pretty funny, the whole sort of alternate-reality history that they were creating,” he noted. The series took the music and personalities of artists such as Loggins and McDonald and made them almost-cartoons, fusing fact and fiction. This humorous re-imagining formed a new perception of the smooth art sound popular in the late seventies and early eighties. “They had taken what we were doing and defined it as a genre. We hadn’t really seen it that way,” Loggins confessed, all the same stating that to them, their music was merely “the natural evolution of contemporary musical practice.

The different views distinctly held by McDonald and Loggins regarding the Yacht Rock series outlines the fact that artists are conceptually abstract in the way they respond to having their work reconstructed. While McDonald accepted the humor at once, Loggins had to wait for a while to see the respectful essence that lay beneath the humor. Through the use of humor, ingenuity and absurdism, Yacht Rock rewarded its audience with amusement as well as recognized the tremendous legacy of McDonald, Loggins, and other esoteric musicians of the era.

The web series may have started as a parody, but it ended up cementing the cultural significance of yacht rock and the musicians who defined it. For McDonald and Loggins, the experience reinforced the impact of their work and the enduring appeal of their music. Whether laughed at or with, they both recognized the parody as part of their evolving legacy, showcasing the timelessness of their songs and the enduring charm of the yacht rock era.

 

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